Historical fiction brings history to life. The technique is simple. Imagine the day-to-day events, motivations, reflections, relationships (basically being a human being) that are behind the historical facts one can read on a Wikipedia page or history textbook. I never thought I would be interested in reading about the life of the Austrian film director G.W. Pabst, who died four days after I was born in 1967. That is the magic of historical fiction, telling the human stories behind history.
Daniel Kehlmann’s book is an easy read because the German-language author’s writing is elegant and engaging. G.W. Pabst’s life is interesting in several ways. His film career coincides with film moving from silent movies to sound. Early in his career, he was ahead of his time and was one of the first directors to use the idea of “continuity” in movies. Examples of this include showing an actor looking off to her left, and then showing what she is looking at in the next film shot (eyeline match in film jargon). Another is showing an actor reaching to open the door and in the next shot, move the shot close in to show his hand twisting the doorknob (cutting the action). Today we take this for granted, but in the early days of film, directors used to let the scene end with a single shot and then clumsily change to the start of the next scene. It fascinates me how people use new technology to advance their craft. AI is the latest advancement we are dealing with now.
Pabst’s life is also fascinating because he was visiting his sick mother in France at the outbreak of World War II. French authorities forced him and his family to go to Nazi Germany. Pabst made films in France and America prior to being forced back to his home in Austria and was not sympathetic to the National Socialist cause. Kehlmann captures the spirit of an artist trying to be creative and free under Goebel’s propaganda regime. I kept thinking of the Trump Presidency and his focus on culture in the USA. Nazi Germany is an extreme version of this. The book explores how people subdue their true beliefs and feelings in an authoritarian government. For many, it was comply and not offend, otherwise you would be sent to a work camp or worse.
The book also made me think about the fleeting nature of fame and pop culture. I have not seen or heard of any of the movies, actors, or directors featured in the book, except for the actress, Greta Garbo. I don’t watch movies from the silent era (1895-1929), and not many are popular almost a century after the era ended. I guess Charlie Chaplin and Buster Keaton are the two actors that most people know who they are. I also don’t watch films from the Golden Age of Hollywood (1930-1960), and those classic black-and-white films will eventually fade from popular culture like the silent films of the previous era. Even movies from my childhood (original Planet of the Apes for example) will face a similar fate. I will try to watch Pabst’s most famous movie, Pandora’s Box (1929), starring Louise Brooks (below)
Kehlmann describes a large cast of characters on how they got by in Nazi Germany. From the people that were elevated (the lowly Pabst estate caretaker) to an English BBC journalist who made broadcasts aimed at England for the Nazis. One vignette that stood out was the use of concentration camp prisoners that served as extras in the two Pabst films he made during the war. I am interested in reading his other book about Alexander von Humboldt, the German geographer who mapped much of the interior of South America.

































